Wojciech Kilar, eighty one, Polish Composer for Movie, Dies

January 11th, 2014

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Tunes Wojciech Kilar, Composer for Films and Symphony Halls, Dies at 81

Wojciech Kilar in September. He wrote music for movies such as “The Pianist” and “Bram Stoker’s Dracula.” Jaroslaw Kubalski/Agencja Gazeta, via Reuters

Wojciech Kilar, a Polish pianist and composer who was most extensively recognized for creating the scores for films, like Roman Polanski’s “The Pianist” and Francis Ford Coppola’s “Bram Stoker’s Dracula,” died on Dec. 29 in Katowice, Poland. He was 81.

His death was declared by Jerzy Kornowicz of the Affiliation of Polish Composers.

However he thrived composing movie music, Mr. Kilar often mentioned his 1st love was writing symphonies and concertos. “In a movie, music is just one of the several factors,” he when mentioned. “Serious audio, which I compose, is signed with my name only, and I get real enjoyment from that.”

Mr. Kilar wrote audio for far more than 130 motion pictures. Among the other individuals had been Jane Campion’s “The Portrait of a Lady” (1996) and Mr. Polanski’s “The Ninth Gate“ (1999). In Poland, he was acknowledged for his work with the influential filmmakers Andrzej Wajda, Krzysztof Kieslowski and Krzysztof Zanussi.

He received an award from the American Society of Composers, Authors and Publishers for “Bram Stoker’s Dracula” (1992) and was nominated for a British Academy of Film and Tv Arts award for “The Pianist” (2002).

Mr. Kilar recalled in a 2007 interview that when he asked Mr. Coppola what kind of tunes he desired for “Dracula,” the movie that established his worldwide reputation, Mr. Coppola answered: “I did my component. You are the composer. Do what you want.”

Mr. Kilar was born on July seventeen, 1932, in Lviv, then component of Poland and now in Ukraine, to a medical professional and an actress. He graduated in 1955 from the Condition Audio Academy in Katowice.

Bored by the workouts he had to enjoy when he was studying the piano as a kid, Mr. Kilar stated he identified his enthusiasm in existence only when he found tunes by Debussy, Ravel and the celebrated Polish composer Karol Szymanowski. Following studying in Paris, he turned a single of Poland’s three foremost modern day composers in the 1960s, alongside with Krzysztof Penderecki and Henryk Mikolaj Gorecki.

Mr. Kilar’s best-recognized operates from this time are the jazzy “Riff 62” “Diphtongos,” for choir and orchestra and “Upstairs-Downstairs,” for two children’s choirs and orchestra.

His 1974 composition “Krzesany,” a symphonic poem for orchestra impressed by the tunes of the Tatra Mountains region of southern Poland, was a turning point. From then on, Mr. Kilar drew most of his inspiration from Polish tradition and Roman Catholic church tunes.

His wife of over forty years, Barbara, died in 2007. They experienced no kids.

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