Bélgica Castro in “Old Cats,” a movie in which her character’s difficulties with her daughter could enter the authorized arena.
“Old Cats” requires spot almost entirely in an apartment in Santiago, Chile, occupied by Isadora (Bélgica Castro) her next husband, Enrique (Alejandro Sieveking) and the felines of the title, a pair of roly-poly tabbies explained by Isadora as “the kings of the house.” The enclosed room and the age of the few — as properly as Isadora’s more and more recurrent lapses of lucidity — may possibly remind you, at 1st, of “Amour,” Michael Haneke’s unsparing finish-of-daily life excursion. But “Old Cats,” written and directed by Sebastián Silva and Pedro Peirano (at first introduced in Chile in 2010, long before “Amour”), is considerably less concerned with the austere truth of demise than with the pressure and mess of residing.
The elderly couple’s regimen is disrupted not by the shadow of the reaper but instead by the intrusion of Isadora’s daughter, Rosario (Claudia Celedón), who bursts into the apartment with a bundle of emotional requirements, a barely hidden cocaine routine and a sack entire of medicinal soaps she has brought from Peru. The true goal of her visit is uncovered when she provides out a document for her mom to indication: a electricity of lawyer that would allow Rosario to evict Isadora and Enrique from their cluttered, happy residence. The cats would have to go, too, since Rosario is allergic.
The mom-daughter arguments that stick to are obviously the latest chapter in a conflict that has been likely on for many years. Enrique can scarcely stand his stepdaughter, so the function of diplomacy — or at least of making the shouting end for a moment or two — falls to Beatrice, Rosario’s lover, who prefers to be named Hugo. (She is performed with abundant nervous power by Catalina Saavedra, who was the seething, enigmatic title character in “The Maid,” Mr. Silva’s intelligent and understated 2009 domestic drama.)
The 4 of them carry out a claustrophobic dance of resentment and suspicion, punctuated by times of tenderness and family members emotion. Mr. Silva, whose most recent film, the drug-vacationer comedy “Crystal Fairy,” has been a single of the delights of the summer season, excels at inviting sympathy for people even at their most disagreeable. Neither Rosario nor Isadora is totally good — the child’s determined selfishness is matched, and probably brought on, by her mother’s cold reserve — but Mr. Silva and Mr. Peirano make them well worth caring about.
Their use of the apartment, which the digicam navigates with feline grace, aids to give “Old Cats” its remarkable psychological texture, the sense that a frantic slice of daily life is unfolding before your eyes. You recognize the different methods the members of this extended household are trapped, in bodily place and in psychological styles they do not completely understand. But you also comprehend that, like property cats that enterprise to the door to sniff at the air exterior, they really do not necessarily want to be cost-free.
Opens on Tuesday in Manhattan.
Prepared and directed by Pedro Peirano and Sebastián Silva art layout by Rodrigo Guerra costumes by Mary Ann Smith created by Kim Jose and David Robinson introduced by Elephant Eye Films. At the Roy and Niuta Titus Theaters, Museum of Contemporary Art. In Spanish, with English subtitles. Working time: 1 hour 28 minutes. This film is not rated.
WITH: Alejandro Sieveking (Enrique), Catalina Saveedra (Hugo), Bélgica Castro (Isadora) and Claudia Celedón (Rosario).
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