Dance Review: Eva Yerbabuena Stars in Flamenco Festival

March 11th, 2014

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Eva Yerbabuena The mistress of flamenco with her firm at Metropolis Center, as portion of Flamenco Competition 2014. The festival carries on at other places in the metropolis through March 24. Credit Paula Lobo for The New York Times Keep on studying the main tale Carry on reading through the primary tale Keep on studying the major story Share This Web page Continue reading the major tale

The most prestigious performer in New York’s Flamenco Competition 2014 has been Eva Yerbabuena, who introduced two packages, “?Ay!” and “Lluvia,” at Metropolis Middle this weekend. (The pageant continues, but at other New York spots, through March 24.) At the finish of “Lluvia,” as she danced her prolonged, wealthy and intricate “Llanto” sole?, she proved herself a single of the world’s great dancers. Not a moment way too shortly: All of her initial plan (“?Ay!,” on Saturday night) experienced been horrid — and the first sections of “Lluvia” (on Sunday night time) experienced been even worse.

Though it was usually clear that Ms. Yerbabuena was a mistress of the flamenco genre, she put in most of the time exaggerating, perverting or parodying it. Mostly she employed it for a prizewinning exhibit of anguish: If struggling have been a category in the Olympics, she would just take top honors. But it’s ludicrous for an critical dancer to invest huge areas of her recitals with her face and torso slumped on a table, as Ms. Yerbabuena did on each evenings. At no point in “?Ay!” or the 1st fifty percent of “Lluvia” could we truly feel dance as music generating. Rather the emphasis was all Expressionistic, all labored and all tiresome.

It is exceptional that, when Ms. Yerbabuena dropped Expressionism and turned musically complicated in “Llanto,” she also became a significantly far more severely expressive artist. The prolonged teach of her black gown grew to become portion of the force of gravity in opposition to which she worked. Just to see her gently lean this way or that, as if rooted to the location but nonetheless moving, became exciting, and the opening of her arms, the circling of her palms ended up all superb. Then, lifting her skirts and letting her feet thunder and drill (the fullness and power of her heel action is outstanding), she confirmed all the uncrushable defiance of flamenco.

These, however, had been only a number of attributes of “Llanto.” In a breathtaking sequence, Jos? Valencia, a lot the greatest of the 3 singers in the two programs, held out a crimson shawl for her — like a pink cape to a bull? She little by little superior towards it, as if magnetized then, unexpectedly, she turned, letting him location it protectively all around her shoulders.

However scarcely experienced she pulled the shawl close to her arms than she opened them, explosively displaying its total brilliance and long tassels, as if proudly displaying her complete wingspan and plumage. Now it joined her dance, exhibiting her sensation for line and volumetric condition. When she turned, the arcs and colors made by her teach and her scarf grew to become enthralling as revolving sculpture.

Whilst in “?Ay!,” her only company onstage have been her musicians, other dancers shared “Lluvia” it was they who raised the barometer. Mercedes de C?rdoba had made a fine perception of contrasting tensions in one solo the way she braced one particular component of her entire body from one more, then retained altering the angle, was vivid. Following, Eduardo Guerrero allow rip in a marvelously eccentric solo, his legs and toes kicking and thrusting in approaches that contradicted the formality of his upper physique: all have been portion of a musical continuity.

When flamenco dancers carry out as if “Music Helps make Me” had been their motto, then the art form flourishes. When tunes and dance are subordinated to hammering residence feelings of grief and gloom, then flamenco is equally cumbersome and absurd.

A variation of this overview seems in print on March 11, 2014, on webpage C2 of the New York edition with the headline: Flashes of Purple Break Via in a Brooding Spanish Landscape.

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